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Every great game or multimedia project (be it a film or a YouTube video) that becomes legendary understands one thing: music isn't just "there" to fill a void or hide the emptiness of a digital world. It is an asset used to multiply the intensity of the feeling you want to give to your player or audience. Think of Jesper Kyd and his work on Assassin's Creed. That fusion of old and new instruments created an atmospheric ride that defined the franchise. Or Mick Gordon, whose work on Doom didn't just play in the background; it literally rocked your world. They didn't just make music; they built the identity of those worlds.
This is the mindset I bring to my custom soundtracks. But I’m not alone in this process, this is where you come in. Tell me about your game. What do you imagine when you think of your world? How does the atmosphere feel? What does it sound like in your head? To ensure I can dedicate the necessary time and focus to your project, I keep my pricing as straightforward as possible. I value my experience, my time and most importantly, your project. My rates are as follows:
*Bundle prices apply with a minimum commitment of 4 tracks.
I am always open to alternatives; these are not set-in-stone templates, but a starting point for our collaboration.
I believe both sides of a collaboration should be focused on creativity, not stuck worrying about licensing. That’s why I keep my terms as simple and straightforward as possible. Here is what my standard commercial license covers in a nutshell:
Note: To protect the integrity of the work, the track cannot be redistributed or resold as a standalone product (like a soundtrack album) without separate permission.
To give you an idea: for an order of six original tracks (including composition, recording, mixing, mastering and final delivery), a reasonable estimate would be approximately 6–8 weeks.
This can vary slightly depending on the feedback workflow we choose; some clients prefer a track-by-track review process where we finish one song and handle revisions before moving to the next, while others prefer to have all tracks completed first and reviewed as a bundle. Either approach is perfectly fine and we can decide what works best for you once we begin.
For a single song, depending on my availability, delivery typically takes between 3 to 4 weeks. I believe in quality over rushing, so I make sure that every single track gets the focus it deserves.
Yes, absolutely. For both your legal compliance and mine, I always provide an invoice at the time of payment. It includes all necessary billing information such as full names, mailing addresses, Tax IDs, agreed terms, and project details.
I work with developers all over the world and I am more than familiar with the legal jargon. If you need any specific info in the billing, just let me know. For example, a previous client of mine residing in Canada needed extra information to provide to the government (I assume the project was funded by them) regarding payments to international recipients. Whatever legal info your country requires for accurate accounting, I will make sure it is included so your paperwork is stress-free.
I prefer handling all communication exclusively via email in written form. My experience has shown that too much vital information (both artistic and technical) gets lost during voice or video calls. While platforms like Discord or Skype can be great for quick chats and socializing or gaming with people of a similar mindset, they often lead to miscommunication or require everything to be restated in an email anyway. This creates an extra hurdle because once we've talked about it in a chat, we then have to go through it all over again to make it "official." Following chats on those platforms is also quite cumbersome for legal and tax purposes. To avoid wasting time and to ensure that every detail of your world is communicated properly, I prefer sticking to email; it is easier for both sides to maintain a clear, searchable record that we can refer back to whenever needed. Staying organized this way keeps the process streamlined and ensures nothing falls through the cracks.
If you agree with the terms on this page, you can scroll down to the bottom where you'll find my contact information. Please send me an email with the following details:
If you're happy to proceed, payment is required upfront; I will share the PayPal email address with you at this stage. Once the payment goes through, I’ll create and sign the invoice and send it over to you. As soon as you’ve signed and returned it, we begin production! Please make sure to include your name and any official business information you'd like to appear on the invoice.
I use PayPal for all payments. If you are from the United States, United Kingdom or any other country that doesn’t use Euros, you might wonder how the transaction works. Since many of my customers are from the U.S., I process everything through PayPal, which allows you to send the payment in Euros even if your account is in Dollars. PayPal will automatically handle the currency conversion for you, making the process seamless.
€100 (Euro), and paid upfront. Please be advised that revisions do not mean completely ditching the song and building something new from scratch. That’s why it is important to provide as many reference songs and descriptions as possible when you are placing an order.
You are welcome to provide any reference tracks, whether they are from my existing catalog or from other composers or artists. These will simply be used as stylistic or tonal guidance.